Graphic

Explore 745 award-winning designs tagged Graphic on 8 Pixels Design Blog.

Designer: Katsumi Tamura Design: Calendar Tag: Graphic

In Bag On Desk

In Bag On Desk is a promotional calendar created for goo, an Internet portal site that originated in Japan. The design is an updated version of a desk calendar with pockets. In Bag On Desk can be used in two ways, as a notebook carried in a bag and as a desk calendar. A monthly calendar, memo paper and a pocket for receipts and similar papers are included. The calendar stands on a desk when the cover paper is fastened with a magnet. The size is 195 by 145 by 10 millimeters. Detailed printing and processing technologies were used.

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Designer: VISANG Design: Brand Identity Tag: Graphic

HanKkeut

HanKkeut is a brand identity for a series of grade school textbooks developed through collaboration between students and teachers. The brand objective is an all-in-one connection in learning. The cover graphic uses a connected stroke that emanates from the brand identity image to express a sense of ascension. The same stroke is applied to all HanKkeut books to create a consistent visual feature. Vivid colors, embossed textures and holographic stickers are used on the covers. Different age levels are distinguished by different cover colors.

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Designer: Junheng Li Design: Font Design Tag: Graphic

Reincarnation Of Text

Text of Cycle is a typeface design that explores the relationship between people and artificial intelligence. The concept proposes that people created artificial intelligence, and that artificial intelligence may in turn create people, making words the link between both. The letterforms follow a method of deconstruction, combining shapes taken from science fiction films and modern machinery. Each character was modelled in Rhinoceros 7 and rendered in KeyShot 8. The result reflects the cycle of language and knowledge.

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Designer: Pedro Panetto Design: Poster Tag: Graphic

Rare Proportions

Rare Proportions is a series of posters about Brazilian nature. Each poster applies the Golden Ratio, a proportion of 1.618 found in nature, to create guides, hierarchy and illustrated elements. The animals are drawn with a geometry based on the same ratio. The colors reflect the diversity of Brazilian fauna and flora. All posters follow one conceptual line, yet each poster has its own expression. The series was created in Brazil. The aim is to show the rarity and beauty of nature and to support its preservation.

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Designer: VISANG Design: Brand Identity Tag: Graphic

Viewing History

Viewing Korean History is a cover design series for three history textbooks. The covers were created for middle school and high school students. A simple diamond-shaped graphic and typography at the center present the subject name and keep the identity of the series consistent. The two middle school books share the same layout. The high school cover shows the modern student connected to different eras within one space. Stickers and epoxy match the background color, and a no-scratch coating limits wear during use.

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Designer: Yang Yuanyuan Design: Brand Identity Tag: Graphic

Q Sky

Q Sky Pilates is a brand identity created for a Pilates studio. The letter Q is drawn as a bird flying freely in the sky, linking the studio name to a feeling of lightness, freedom and relaxation. The single letter works as an independent graphic, and the same letter stays consistent with the type used for the full brand name. The identity is applied to space signage, sportswear, water cups and membership cards, produced with digital printing, silk screen printing and embroidery. Colour accuracy on each material was carefully controlled.

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Designer: Lia Jiyun Kim Design: Corporate Identity Tag: Graphic

Rsvp

Rsvp is an online platform for virtual events during the pandemic, with an invitation-only system for security. The logomark symbolizes inclusivity and connectedness, while the design fosters engagement and community. Rsvp addresses the need for virtual event planning, improving relationships and promoting togetherness during these challenging times. The unique properties of the Rsvp platform include its invite-only system, which safeguards participants against imposters online.

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Designer: Jansword Zhu Design: Wall Art and Identity Tag: Graphic

Lei Shing Hong Forest Food Court

Forest Food Court is a food court located in the office building designed by Famous Japanese architect Kuma Kengo in Beijing. The core concept of the architecture is “Forest in the city.” The branding and the 6m*150m huge wall art emerged from the concept. Delightful graphics and loosing strokes bring a relax, organic yet urban flow through the serious office building. The sub-abstract illustration balanced the atmosphere of the office and avoid of been too childish or cute.

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Designer: M — N Associates Design: Branding and Packaging Tag: Graphic

Leman Jewelry

Visual solution to Leman Jewelry's new identity was a complete new system to expose the luxury, exquisite yet sophisticated and minimal feeling. The new logo inspired by Leman's working process, their haute couture design service, by crafting all diamond shapes surrounding a star-symbol or sparkle symbol, creating a sophisticated symbol and also echoing the shining effect of diamond. Following up, all collateral materials were produced with high quality details to highlight and enrich luxuriousness of all new brand visual elements.

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Designer: Dong-chern Cin Design: Infographic Poster Tag: Graphic

Scuba Diving Sites 300

Scuba Diving Sites 300 is an infographic poster that presents information about dive sites around the world. Three hundred sites were selected from more than 500 researched locations, chosen for being relatively safe and active. The chart format lists the skill level required, the best season for diving, the level of underwater visibility and the maximum dive depth. The poster measures 1050 by 750 millimetres and is produced by offset printing in five colours with matte black ink. The aim is to help divers compare sites and plan dives.

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Designer: Paul Robb Design: Typeface Design Tag: Graphic

Monk Font

Monk seeks a balance between the openness and legibility of humanist sans serifs and a more regularized character of the square sans serif. Although originally designed as a Latin typeface it was decided early on that it needed a wider dialogue to include an Arabic version. Both Latin and Arabic design us the same rationale and the idea of shared geometry. The strength of the parallel design process allows the two languages to have balanced harmony and grace. Both Arabic and Latin work seamlessly together having shared counters, stem thickness, and curved forms.

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Designer: Wang Zhiqi Design: Corporate Identity Tag: Graphic

C'YiShu

C'YiShu is a corporate identity created for a studio that combines architectural interior design with piano education. The identity is built around a custom symbol that joins Chinese characters with spatial form. Auxiliary graphics represent the business areas of the studio, which include design, piano, coffee, and furniture. The symbol works as a complete visual system rather than a single logo. Applications include notebooks, business cards, envelopes, cloth bags, and brooches, made with silver printing, white hot stamping, specialty paper, and metal laser cutting.

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